About

Cara Flores is a CHamoru filmmaker based in her homeland of Guåhan (Guam) whose filmmaking practice is rooted in Indigenous values of relationship, reciprocity, and care.

Her mothers family is CHamoru (Flores Cabesa San Miget Sablan) and her father is white American. She was raised in Guam in the 80s/90s in the thick of an extended CHamoru family, leaving for high school and college and then returning home after.

She is the founder and director of Nihi Indigenous Media, a nonprofit production house dedicated to building power and community through storytelling.

A 2024 Luce Indigenous Knowledge Fellow, Flores is developing a Guide to Indigenous Filmmaking based on over a decade and a half of making films for and with her community, documenting practices that honor Indigenous values, knowledge, protocols, and communities.

Cara Flores is currently directing a feature-length documentary that tells the behind-the-scenes story of the largest climate justice case in history through the eyes of the Indigenous Pacific leaders and frontline communities who imagined, built, and carried it into existence. Centered on three key Pacific leaders — Cynthia Houniuhi, Ralph Regenvanu, and Julian Aguon — the film follows the unprecedented movement that united more than 130 nations behind a landmark legal effort to defend the world’s most vulnerable communities from the escalating climate crisis.

While international media coverage surrounding this case has been extensive, this film is uniquely positioned as the only feature documentary being led from within the Pacific communities that originated the case itself. At a moment when global narratives continue to portray Pacific Islanders as passive victims or “drowning islands,” this film documents something far more urgent and historically significant: Pacific peoples as strategists, legal architects, organizers, and visionaries shaping one of the most consequential international justice efforts of our time.

The documentary is directed and produced by Indigenous Pacific filmmakers from Micronesia and Melanesia, not outside observers arriving to interpret the story after the fact, but storytellers embedded within the communities whose futures are at stake. The film is being created alongside the leaders, families, and villages whose testimonies and political courage made the case possible. This approach transforms the documentary from observation into cultural accountability and reciprocity: an opportunity to platform the communities who have fiercely held the line for a world in crisis.

Produced by Nihi Indigenous Media, the documentary has been in active production since November 2024 in partnership with Blue Ocean Law.

To support this work, contact me through the booking form at the bottom of this site.

Director and Co-writer for Heroes of Micronesia, an experimental art animation that features leaders and elders of the Micronesian region who have protected their islands and culture for future generations. The series screened across Micronesia and was then released online in 2025.

Directed Protector's Anthem, a music video collaboration of local artists, choreographers, and dancers released in 2024. Cara opened the music video with the featured artist sitting in a woven chair in the middle of the ocean and wove together archival footage with the scene of dancers as part of the landscape who represented stories as told by the land. The archival footage and dancers progress  through themes of injustice and community action, ending in indigenous joy. 

Co-directed the pilot for a series pitch Healers of the Pacific with Alan Certeza. The pilot is set in Guam and features Auntie Frances, one of a handful of traditional healers who carries sacred, ancient knowledge into a changing, modern landscape where militarization and development threaten the forests where she collects her plants for healing.

Wrote and Directed An Gumupu i Chankleta, a short comedy in her native language of Chamoru that honors her grandmother and all Pacific nånas. It was screened locally in 2020, right as COVID hit.

Directed and produced the majority of media for the Guam Museum’s permanent exhibit including a short film on the origins of the Chamoru people, i Hinanao-ta, which brought together traditional knowledge keepers, elders, and indigenous creatives to tell the Origins story of the Chamoru people. 

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